spoken word? How much more vivid than a mere inward 
     monition is the famous scene in Iliad  I where Athena 
     plucks Achilles by the hair and warns him not to strike 
     Agamemnon! But she is visible to Achilles alone: “none of 
     the others saw her.” That is a plain hint that she is 
     projection, the pictorial expression, of an inward 
     monition—a monition which Achilles might have described 
     by such a vague phrase as enepnense fpesi 
     daimwn. And I suggest that in general the inward monition, 
     or the sudden unaccountable feeling of power, or the 
     sudden unaccountable loss of judgment, is the germ out 
     of which the divine machinery developed.

     The hero has become a split man as he moves towards 
the possession of an individual ego. And the “split” is manifest 
as pictorialized models or “machinery” of complex situations